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He occupied the post of Professor of Composition for fourteen years.

Louis Symphony for its 70th anniversary, and Prelude for Orchestra , commissioned and first performed by the Louisville Orchestra under Robert Whitney. His large-scale choral work, Diapason , was commissioned by the Queens College Choral Society, and is based on texts by Dryden and Milton. In , he was commissioned by the Metropolitan Opera to restore the original version of Mussorgsky's Boris Godunov. During the last years of his life, Rathaus was fighting fatigue and recurrent illness. The String Quartet No. References Schwarz, B. Karol Rathaus.

Guide to the Pianist's Repertoire, third edition

The Musical Quarterly,41 4 , The Karol Rathaus Papers consist of correspondence, scores, sketches, and manuscripts, as well as recordings of many concerts and performances of Dr. This collection also contains files from the Karol Rathaus Memorial Association, and correspondence between Rathaus and other artists, and recording companies. Collection is open to research, contact Special Collections for access.

Staff may restrict access at its discretion on the basis on physical condition. Literary rights, including copyright, belong to the authors or their legal heirs and assignees. The collection is subject to all copyright laws. Queens College assumes no responsibility for the infringement of copyrights held by the original authors, creators, or producers of materials.

Donated in stages by Gerta Rathaus and Gabriel Frontier from the time of his death in until Series I. Correspondence Subseries A: Individuals. Series II. Queens College Subseries A: Graded test booklets. Series III. Series IV. Recordings Subseries A: Magnetic Tape. Machine readable finding aid created by Dan Brenner, Fall Karol Rathaus established himself as an exceptional compositional talent in European musical circles before immigrating to the United States in In , he became the first composition professor in the music department of Queens College, a position he held until his untimely death in His papers include correspondence, manuscripts, sketches, printed materials, performance programs, press clippings, and audio recordings in various formats.

Also included are papers related to Rathaus' edition of Mussorgsky's Boris Godunov, commissioned by the Metropolitan Opera. The correspondence series includes letters, drafts of letters, and telegrams to and from correspondents, both as individuals and representing organizations. Much of the correspondence was carried out after Dr. For further correspondence, please see also the creative works files, the performance files, and the Karol Rathaus Memorial Association files. The individual correspondence sub series includes letters, and drafts of letters from Karol Rathaus, and his wife Gertha, to friends as well as business and musical associates.

The organizational correspondence subseries includes letters, drafts of letters, and telegrams to and from correspondents representing an organization. Much of the correspondence was carried out after Rathaus' death, by his wife, Gertha, or the Karol Rathaus Memorial Association.

For further correspondence, please see also the individual correspondence file, the creative works files, and further Karol Rathaus Memorial Association files. Associated Music Publishers see also G. Schirmer, Box 2 Folder 4. Belwin Music Publishers further correspondence under Boosey and Hawkes. Fleisher Music Collection. Schirmer, Inc. Gesellschaft fur Musickalische Auffuhrungs-und Mechanische Vervielfaltigungsrechte. This includes articles, and publications. For more material created during his tenure at Queens College, see the Queens College letters located in the correspondence series, and the creative works series.

The creative works series contain materials related to individual works.

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This material can include any combination of published scores, manuscripts, sketches, relevant correspondence, program notes, playbills, and press clippings. Many of which were done during his tenure at Queens College. Klavier Konzert op. Piano Pieces op. Diapason op. Scarlatti op. Polonaise Symphojic op. Picture, Out of Evil; Vision Dramatique, op. Stevenson ; Lion Amoureuse Suite, op. Sonata no.

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      Vote for Earth! Makes me feel terrible when im learning Pathetique for that sort of thing, but i doubt i can play it to the level!!! Working on: Schubert - Piano Sonata D. The pieces were on that link I provided, no need to copy them all out. Needless replies I have to scroll through. It was a really good exam, quite different from the normal graded exams It was a really good experience and I would definitely recommend doing them if you can.

      Yes, I know it's a step up from Grade 8, but what is the whole thing about?? You play your recital, 30 - 60 mins depedning on your level of diploma with repertoire selected of the copious lists above!!

      Motchane Marthe Morhange

      You may play upto a third I believe off list! There are also support tests which involve Quick study - NOT sightreading..

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      They look for a performance of the piece and you get upto 5 mins to prepare it! You take a viva voce where the examiners will ask you rigerous questions about your instrument, your programme and the composers. You must also submit informed and well written programme notes. Naturally the recital needs to bel played to a good level. LRSM is roughly equivalent to grauate recital of a good university music degree. You should be able to confidently go before the public as part of a lunchtime recital series if you are serious about this diploma..

      Its not for fun per say. Its a professional level of qualification and it is certainly not grade 9! Works like the Haydn no52 Eb sonata first mvt and Ravel Sonatine second movement are not easy works and candidates who can get a distinction level in these works are no slouches.